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Old 04-22-2005, 11:48 AM   #1
charlene
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posted at the NG:http://www.signonsandiego.com/uniont...w21gordon.html
NORTH COUNTY N&D
The storyteller

Gordon Lightfoot makes a rare local appearance at Sycuan – expect the sounds of 'Harmony'

By Buddy Blue
April 21, 2005

Among one segment of graying music fans, the name Gordon Lightfoot conjures up nostalgia for an era when mainstream FM radio hosted a roster of quality, intelligent singer-songwriters, performing tunes that became intimate reflections of their lives.

A different segment has less fond memories, believing the anemic soft-rockers who dominated the airwaves of the 1970s were a plague upon this country's pop culture, blissfully and deservedly consigned to the dustbin by the punk rock movement at decade's end.


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Perhaps a re-evaluation of Lightfoot is in order among those harboring the latter judgment as Lightfoot towers above the Fogelbergs, Loggins, Denvers and Chapins he's often unfairly lumped together with.

While it's true that Lightfoot's hits were often maddeningly inescapable and some suffered from date-stamping overproduction, he was and remains an artist of substance. In fact, Lightfoot warrants closer association with such critically celebrated Americana/folk artists as John Prine, Dave Alvin and Guy Clark (or such fellow Canadians as the Band, Neil Young and Buffy St. Marie) than he does the aforementioned purveyors of pabulum.


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DATEBOOK

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Gordon Lightfoot
8 p.m. tomorrow; Showcase Theatre, Sycuan Casino, 5469 Casino Way, El Cajon; Sold out; (800) 445-6002, Ext. 1139

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Lightfoot possesses a significant repertoire of gifts: a uniquely moody voice, at once crusty and shimmering; a catalog of songs that meld a traditionalist's intuition for history, a craftsman's flair for melody and a storyteller's knack for poetic melodrama; all put over with a melancholic persona that lends emotional authenticity to his work.

Lightfoot's songbook is nothing if not versatile, from the unabashed tenderness of "Beautiful" and "If You Could Read My Mind" to the epic yarn-spinning of "Ghosts of Cape Horn" and "The Wreck of the Edmund Fitzgerald" to the wistful folk-pop of "Sundown" and "Carefree Highway."

Lightfoot's career began a decade before he became a public presence, as he was writing hit songs for Peter, Paul & Mary, Ian & Sylvia, Marty Robbins, Bobby Bare and others.

The 1970s, of course, was Lightfoot's decade, as his output regularly marked the pop, country and adult contemporary charts. However, unlike fellow '70s singer-songwriters of similar success and substance (Paul Simon, James Taylor, Jackson Browne, et al.), Lightfoot faded into obscurity after his commercial trajectory had run its course. From 1986 to the present, Lightfoot has only released four albums of new material, and he rarely ventures out on tour.

This has been partially due to Lightfoot's apparent penchant for his native Canada, where he's revered as a national icon and has been the recipient of so many awards and honorariums he scarcely has any motivation to venture far from home base.

On the other hand, there have been personal demons and health problems to battle. Most significantly, Lightfoot suffered an abdominal hemorrhage in September 2002 that placed him in a coma for a couple months and nearly did him in.

Lightfoot's first order of business upon recovery was to record a new album, his first in six years. "Harmony," released last spring, featured a batch of new songs near-equal in quality to anything Lightfoot ever composed, with simple, elegant arrangements that framed the material in a better light than his familiar major label fare of the 1970s.

If Lightfoot's voice sounds thinner and weaker than we're used to; if recent photographs show him looking drawn and gaunt; well, factor in that he is pushing 70 years old these days while still recovering from a near-fatal illness.

Although he's played a handful of one-off concerts since his brush with mortality, this year marks Lightfoot's first full-fledged tour since he took ill. He'll perform locally at Sycuan Casino tomorrow night, in a show that sold out well in advance.

In short, one needn't be a Canadian baby boomer possessed of questionable musical taste to be a fan of Gordon Lightfoot. Give the man a chance to escape the omnipresent shadow of the 1970s, and you may wind up with a newfound appreciation for what he's done and will hopefully continue doing in the years to come.


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Buddy Blue is a San Diego writer and musician.

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Old 04-22-2005, 12:08 PM   #2
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Buddy Blue, you are a real Gent - as we say on this side of the Pond. Thanks for posting this great article, Char.
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Old 04-22-2005, 12:50 PM   #3
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That's great. Thanks. We'll want a full report from whomever is there tonight...can't wait to see the set list. We'll be at the show in Vegas next Friday. Maybe see a few of you folks there.
Best,
Tony
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Old 04-22-2005, 02:56 PM   #4
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Very good article.
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Old 04-22-2005, 04:16 PM   #5
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Upon recovery? This person makes it sound like Gord jumped out of bed minutes after the operation and went to the nearest recording studio!

There's been a need for a "re-evaluation" of Gord on a national or even world scale for at least a decade or so,so I do agree with him there.

One question....What the heck is Pabulum??? If he's meaning the word in a negative way,that's not very nice! [img]tongue.gif[/img]
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Old 04-22-2005, 04:39 PM   #6
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What a well written, researched and objective piece of journalism .

Char. that was a real "find". Thanks.

To support Seahawk11's post , all you people attending an upcoming concert " remember a price must be paid " - ( as per "The House You Live In"...)
Your price is a review/anecdotes/fun stuff/debacles too, surrounding your 2005 Lightfoot experience posted on corfid for us all to absorb and enjoy. Get to it you lucky buggers.
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Old 04-23-2005, 01:06 AM   #7
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Awaiting Replies from the San Diego Contigency.

Sydney Steve and I got a deal. We give reviews and antectodes as the tour goes forth, and he, in turn, will give me a cookie.

Gettin' hungry already at 11pm Pacific: Both for the insights and the cookie.

Tomorrow: Our Turn.

Thirsty voice and age . . . it shall be Gord.

Can I get a Witness . . .

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Old 04-23-2005, 01:37 AM   #8
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Borderstone: pabulum is a generic term for baby food. It's mashed up stuff 'cause they got no teeth!!
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Old 04-23-2005, 01:39 AM   #9
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Didn't Gord used to do like 80 concerts a year prior to his health situation a few years back? This article said Gord hardly went on tour at all...
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Old 04-23-2005, 02:27 AM   #10
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Yeah, that paragraph is slightly off....his scaled back concert list generally ran to fifty or sixty, and, as well, he continued to tour extensively throughout the US. Still, the fact that it is written at all is testimoy to Gord's impact and importance.
Hey it's Saturday now...where's that review?
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Old 04-23-2005, 02:28 AM   #11
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I know.. I'm waiting for it!!
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Old 04-23-2005, 03:17 PM   #12
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How cool to see Buddy's article here. He has been a strong friend of our music series and has written some great articles/interviews on many of our performers. He may have understated Gord's touring levels prior to his illness, but he still captured the essense of Gord's music and talent.

Borderstone, his comparison to pablum was to emphasize that Gord's music is deeper and even greater than his commercial hits that in past years had him compared with performers such as Fogelberg, Loggins, Denver and Chapin. I mean no disrespect to Fogelberg, Loggins, Denver or Chapin as I enjoy all of their music, but I can see where Buddy was going with comparing Gord's body of work more to the likes of brilliant songwriters such as John Prine and Guy Clark, who aren't well known to radio listeners or folks far outside of their cult following.

[ April 23, 2005, 15:26: Message edited by: Janice ]
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